4.15.14.

ohmyasian:

mymodernmet:

Lifestyle photographer Grace Chon recently turned the camera on her 10-month-old baby Jasper and their 7-year-old rescue dog Zoey, putting them side-by-side in the some of the most adorable portraits ever.

2115. Zoey and Jasper. Say hello to the cutest baby+dog photos in the world! Follow them on tumblr here.

91808

4.15.14.
i-love-art:

Hello/Goodbye

i-love-art:

Hello/Goodbye

(Source: christophermonro)

269

4.15.14.

“ Never be bullied into silence. Never allow yourself to be made a victim. Accept no one’s definition of your life, but define yourself. ”

Harvey Fierstein (via observando)

(via langleav)

2002

4.15.14.
aseaofquotes:

Carl Sandburg, “Offering and Rebuff”

aseaofquotes:

Carl Sandburg, “Offering and Rebuff”

6853

4.15.14.
theduplicitytimes:

6 WRITING TIPS FROM JOHN STEINBECK
Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised.
Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material.
Forget your generalized audience. In the first place, the nameless, faceless audience will scare you to death and in the second place, unlike the theater, it doesn’t exist. In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person—a real person you know, or an imagined person and write to that one.
If a scene or a section gets the better of you and you still think you want it—bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn’t belong there.
Beware of a scene that becomes too dear to you, dearer than the rest. It will usually be found that it is out of drawing.
If you are using dialogue—say it aloud as you write it. Only then will it have the sound of speech.
"If there is a magic in story writing, and I am convinced there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes, but by no means always, find the way to do it. You must perceive the excellence that makes a good story good or the errors that makes a bad story. For a bad story is only an ineffective story."

theduplicitytimes:

6 WRITING TIPS FROM JOHN STEINBECK

  1. Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised.
  2. Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material.
  3. Forget your generalized audience. In the first place, the nameless, faceless audience will scare you to death and in the second place, unlike the theater, it doesn’t exist. In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person—a real person you know, or an imagined person and write to that one.
  4. If a scene or a section gets the better of you and you still think you want it—bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn’t belong there.
  5. Beware of a scene that becomes too dear to you, dearer than the rest. It will usually be found that it is out of drawing.
  6. If you are using dialogue—say it aloud as you write it. Only then will it have the sound of speech.

"If there is a magic in story writing, and I am convinced there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes, but by no means always, find the way to do it. You must perceive the excellence that makes a good story good or the errors that makes a bad story. For a bad story is only an ineffective story."

(via langleav)

8130

4.15.14.

“ Of course that is not the whole story, but that is the way with stories; we make them what we will. It’s a way of explaining the universe while leaving the universe unexplained, it’s a way of keeping it all alive, not boxing it into time. Everyone who tells a story tells it differently, just to remind us that everybody sees it differently. ”

Jeanette WintersonOranges Are Not the Only Fruit
(via bookmania)

(via teachingliteracy)

1699

4.15.14.

“ Scattered through the ordinary world there are books and artifacts and perhaps people who are like doorways into impossible realms, of impossible and contradictory truth. ”

Jorge Luis Borges (via tattoosandtravels)

(via booklover)

283

4.15.14.
aseaofquotes:

Sophie Kinsella, The Undomestic Goddess

aseaofquotes:

Sophie Kinsella, The Undomestic Goddess

1693

4.13.14.

awritersruminations:

The wind is level now, the earth is wet with dew,
the storm of stars in the sky will turn to quiet.
And soon all of us will sleep under the earth, we
who never let each other sleep above it.

—Marina Tsvetaeva, from “I know the truth” (translated by Elaine Feinstein)

(via booklover)

153

4.13.14.

(via booklover)

1729